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Jacopo Fo English Blog

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THE SCIENTIFIC SYMBOLISM
OF PREHISTORIC CIVILIZATION

THE I CHING

This discovery led to a boom in Chinese culture. In fact, they noticed immediately that, by using the two signs in three different ways, they obtained 8 and only 8 combinations. Try it and you'll see.

These images, perhaps traced in the sand (excuse me if I can't get the sand out of my head), suggested to them a quick and simple representation of how, by way of the construction of consisting of three particles, the differences in the universe could be born.
In these simple line drawings they were even able to represent the world around them.

Thus the trigrams became the first 8 ideograms of Chinese culture and one of the first examples of the attempt to write that we know of in human history. Moreover, this symbology represents the imbalance manifest in the particular aspects of reality, and at the same time, the balance of forces that is present in reality when it is viewed as a whole. In fact, when we look at the 8 ideograms one at a time, each has a majority of either broken or solid lines, whereas when we look at the 8 ideograms as a whole, the number of broken and solid lines is the same.
(The imbalance of the particular within the dynamic balance of the whole is - according to Taoism - the reason for the "eternal becoming" of reality ad of its persistence as a unitary phenomenon).

Subsequently, the Chinese believed that, just as the meeting of three simple particles had produced more complex structures, the development of these elements toward more complicated forms unfolded in a way that repeated the initial process of combination. Thus they believed that these units of three particles combined with each other in twos, like men and women, and together formed new, still more complex, structures.
Returning to the 8 initial ideograms, they put them together in all possible combinations of two and obtained 64 hexagrams (symbols composed of six signs). Later on these hexagrams were also assigned basic meanings (creativity, the crucible, fragmentation, stagnation, conservation, the angles of the mouth etc.) and these became, in turn, the first written text of Chinese culture which was subsequently published in a compendium with commentary and notes on the nature of these 64 polar combinations.

This text is called the "I CHING" and it is to Chinese culture, along with a few other texts, what the Bible is for us. In it the Chinese philosophers conserved their conception of the world. It records the possible sequences in which the two polarities - Ying and Yang - can be combined to give expression to the diverse aspects of reality.

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